Sensational Late Night Performances on Friday and Saturday by Meow Meow and Ella Hickson

September 29th, 2009

“She is sensational. 5 Stars.”    -The London Times

“She is sensational. 5 Stars.”
-The London Times

Who thought Sarasota was a sleepy tourist town? Not at the Ringling International Arts Festival. The Festival will feature two mind blowing performances Friday, the 8th and Saturday, the 9th starting at 10:30 pm. And the selections are perfect for the late night audience… and affordable… as low as $10!

Meow Meow
In the Mertz Theatre, international cabaret sensation Meow Meow will perform Beyond Glamour: The Absinthe Tour. Her style of kamkikaze cabaret has wowed audiences across the world, from Sydney, Australia to New York and Paris. Cabaret will never be the same.

“Meow Meow drags cabaret kicking and screaming into the 21st century.”
-Time Out New York

“Meow Meow is a sequinned sex bomb waiting to detonate…”
-Sydney Central

Eight
Ella Hickson’s Eight will perform in the Historic Asolo Theater. Direct from the Edinburgh Fringe Festival, Eight was awarded the coveted Best of The Edinburgh Award. Hickson mixes biting humor with deep emotional honesty to create a theatrical piece that is both entertaining and insightful.

“One of the most self-assured, startlingly well-written and moving pieces of theatre around.”
-The Herald, Scotland

“[Ella Hickson] writes with a heightened sense of the rhythms and quirks of everyday speech and uses vivid, sensory details to create believable emotional states.”
-The New York Times

Special Offer by Ringling Museum
On Thursday, Oct. 8-Saturday, Oct. 10, the Museum will stay open from 5-8 p.m. in the evening. On Thursday and Friday, during these three-hours, adults can get into the Museum for $10 and children for $5. On Saturday, Oct. 10, children (17 & Under) get in FREE all day. On Saturday, adults will get in for $10 from 5-8 p.m.

>>Get your tickets now by calling (941) 360-7399 or visiting www.RinglingArtsFestival.org

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Special Admission Prices to Ringling Museum During Festival

September 21st, 2009

It is a  rare occurance when the Ringling Museum offers special admission prices to the Estate. It is even rarer that they open the Estate during the evening hours.  The only time it does so is for the Holiday Splendor event in December which, by the way, is a big hit and a wonderful way Ringling gives back to the community. 

The  spectacular line-up of events at the Festival has given the Museum reason-enough to offer specials. On Thursday, Oct. 8-Saturday, Oct. 10, the Museum will stay open from 5-8 p.m. in the evening.  On Thursday and Friday, during these three-hours, adults can get into the Museum for $10 and children for $5.  On Saturday, Oct. 10, children (17 & Under) get in FREE all day. On Saturday, adults will get in for $10 from 5-8 p.m.

So on these rare occurrences it is wise to take advantage of them because they don’t come around often. Even more to this point, the Festival doesn’t come around often either (the next one is slated for 2011) so get your tickets to the performances and to the Museum today.

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Do you have your tickets yet?

September 9th, 2009

Opening Night is four weeks away and sold out.  Only a handful of seats remain for all Elevator Repair Service performances.  The best bets to get tickets for the shows you want to see are the matinees and late night shows.

Thursday, October 8th is the day and night of premieres at the Ringling International Arts Festival.  Be the first in the US to see any of these performances.  Purchase your tickets online or call 1.800.660.4278.

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August 31st, 2009

Read more about the Ringling International Arts Festival and Mikhail Baryshnikov’s vision in the Sarasota Herald-Tribune.

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Spotlight on… Jennifer Frautschi

August 20th, 2009

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Jennifer Frautschi (violin) is a winner of the Avery Fisher Career Grant. She has appeared as soloist in recent seasons with Pierre Boulez and the Los Angeles Philharmonic, Christoph Eschenbach and the Chicago Symphony Orchestra at the Ravinia Festival, and Peter Oundjian and the Orchestra of St. Luke’s at the Caramoor International Festival. Selected by Carnegie Hall for its Distinctive Debuts series, she gave her first New York recital at Weill Hall in April 2004. She also gave debut recitals in ten of Europe’s foremost concert venues, including London’s Wigmore Hall, Amsterdam’s Concertgebouw, La Cite de la Musique in Paris, and the Salzburg Mozarteum. As chamber musician, she regularly performs at The Chamber Music Society of Lincoln Center and Caramoor, where she has performed annually since André Previn first invited her there in 1992. She has also performed at such festivals as La Musica (FL), Music@Menlo (CA), Santa Fe, Seattle, Spoleto (Italy), Summerfest La Jolla, and St. Barth’s.

Her discography includes three discs for the Artek label of the Prokofiev concerti with Gerard Schwarz and the Seattle Symphony, music of Ravel and Stravinsky, and 20th century works for solo violin. She has also recorded several discs for Naxos: a Grammy-nominated recording of Schoenberg’s Concerto for String Quartet and Orchestra, and the Stravinsky Violin Concerto with the Philharmonia Orchestra of London, both conducted by the legendary Robert Craft; and a forthcoming disc of the Schoenberg Third String Quartet.

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Spotlight on… María Pagés

August 12th, 2009

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María Pagés is renowned for her charismatic stage presence and innovative approach to flamenco. Pagés began her career as a member of the Antonio Gades Company, and in 1990, she established Compañia María Pagés. Since then, she has created a repertory that illustrates her mastery of traditional flamenco, and also her keen interest in other art forms, from theater to modern dance: Sol y sombra (1990), De la luna al viento (1994), El perro andaluz. Burlerías (1996), La tirana (1998), Flamenco Republic (2001), Ilusiones FM for the Spanish National Ballet (2002), Canciones, antes de una guerra / Songs, Before a War (2004), and Sevilla (2006). María Pagés and her company have performed at some of the most prestigious stages in the United States, England, France, Italy, Germany, Japan, Singapore, China, Taiwan, Israel, Egypt, Russia, Mexico, Honduras, and Spain. Pagés is the recipient of many international awards, including: Spain’s National Dance Award for Creation (2002) and National Choreography Award (1996), Italy’s Leonid Massine Award (2004) and Flamenco Award for Best Artist and Best Creator (2005), and four awards at the Biennale of Arte Flamenco.

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Shared Vision

August 10th, 2009

Read this great article in the Sarasota Herald-Tribune by Susan Rife.

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Spotlight on: Eric Ruske

August 4th, 2009

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Eric Ruske (horn) has established himself as an artist of international acclaim. Named Associate Principal Horn of The Cleveland Orchestra at the age of 20, he also toured and recorded extensively as hornist of the Empire Brass Quintet. His solo career began when he won the 1986 Young Concert Artists International Auditions, First Prize in the 1987 American Horn Competition, and in 1988, the highest prize at Concours International d’Interprétation Musicale.

Performances as soloist include appearances with the Baltimore Symphony, Indianapolis Symphony, Shanghai Radio Broadcast Symphony, Cleveland Orchestra, Jacksonville Symphony, European Camerata, San Diego Symphony, Boston Pops Orchestra, Kansas City Symphony, Seoul Philharmonic, and a tour with the Israel Chamber Orchestra. As a chamber musician, he has appeared with the Lincoln Center Chamber Music Society, Santa Fe Chamber Music Festival, Moab Music Festival, Newport Music Festival, Spoleto Festival, Festival de Musique in St. Barthlélemy, OK Mozart International Festival, Evian Festival, La Musica in Sarasota, Bargemusic in Brooklyn, Music from Angel Fire, Boston Chamber Music Society, and the Festival Pablo Casals.

His discography includes a recording of the Strauss and Glière Horn Concerti, two discs of virtuoso transcriptions for horn and piano, a disc of solo horn repertoire—all on the Albany Records label—and the complete Mozart Horn Concerti for Telarc.

A graduate of Northwestern University, Ruske is the Professor of Horn and member of the faculty of Boston University.

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Spotlight on: Annie-B Parson & Paul Lazar

July 29th, 2009

Annie-B Parson and Paul Lazar (creator + director of The Snow Falls in the Winter) founded Big Dance Theater in 1991. The company and its directors have been honored with a New York Dance and Theater ‘Bessie’ Award, an OBIE, a Guggenheim Fellowship, the Jacob’s Pillow Creativity Award for Choreography, and two fellowships from the New York Foundation for the Arts. They have created 15 pieces for the company, touring nationally and internationally to such venues as The Walker Art Center, Chicago’s Museum of Contemporary Art, The American Dance Festival, The Spoleto Festival USA, On the Boards, Jacob’s Pillow Dance Festival, Yerba Buena Arts Center, and UCLA, Live!, as well as international festivals and venues in the Netherlands, France, Italy, Tbilisi, Brazil and Germany. In New York City, their work has been presented at many venues, but most often at Dance Theater Workshop, The Kitchen, Classic Stage Company, and the Guggenheim Works & Process Series.

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Spotlight on: OtherShore

July 28th, 2009

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OtherShore is a unique company led collaboratively by dancers that brings together choreographers, designers, composers, musicians, and veteran dancers to create original work.

OtherShore debuted in 2008 at the Baryshnikov Arts Center in New York, and is co-directed by Sonja Kostich, a former member of American Ballet Theatre, San Francisco Ballet, Zurich Ballet and the White Oak Dance Project, and Brandi Norton, a former dancer with the Trisha Brown Company for nine years. Collectively, the dancers of OtherShore have credits with Bill T. Jones/Arnie Zane Dance Company, Patrick Corbin Dances, Liz Lerman Dance Exchange, White Oak Dance Project, Limon Dance Company, San Francisco Ballet, Hamburg Ballet and the Royal Danish Ballet. The mission of OtherShore is to create work that reflects the versatility of its collaborators, to focus on growth and creativity as artists, and to share with the public this desire to produce valuable and entertaining work.

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