Archive for February, 2009

What Is The Ringling International Arts Festival?

Friday, February 20th, 2009

RIAFRINGLING:  Yes, as in the Ringling Bros of circus fame.  In this case: John Ringling and his wife, Mable who – after amassing a considerable fortune from not only the circus, but also from ventures in oil, railroads, real estate, and much more – built a palatial Venetian-style mansion on a lush tropical estate in Sarasota, Florida, then added a grand Italianate Museum of Art filled with a collection of Old Master paintings.  Upon John’s death in 1936, he left it all to the state of Florida, and it is on this 66-acre, water-front paradise – now replete with 300,000 square feet of Museum exhibition space and three fully-equipped theaters – that Festival-goers will experience the new RIAF.

INTERNATIONAL: Geographically, we’re talking about performing artists from nearly a dozen countries and four continents.  More importantly, however, is the rich diversity of ideas, forms, and genres that will come together on the gulf shores of Sarasota Bay.  Here, the sonnets Shakespeare will converse with the choreography of Shemy, the abstract expressions of Louise Fishman will be considered in the light of Veronese, and an Australian chanteuse named Meow Meow will vie with the fiery Spanish flamenco of Compania María Pagès.  Add to that world premieres in theater, music, and dance, and you have veritable Babel of international artistic expression.

ARTS: Always a tough one to define.  Personally, any deeply considered and beautifully realized articulation of the human experience that prompts from the soul an imaginative response qualifies as art.  At RIAF it is our hope that music, theater, dance, art, will prompt a collective response from Festival-goers to expand the circle we call “us” by embracing new concepts of expression we may have once considered too foreign to appreciate or understand.

FESTIVAL:  Comes from the same root as “feast” – which means you better come hungry for a multi-course celebration of sounds, sights, ideas, passions, and curiosities.  Perhaps your main dish will be theater, with an appetizer of dance and a dessert of fine art.  Maybe you’ll indulge in a diet of nothing but music.  But to fully experience a feast, you must dip into every dish, savor every morsel, chew it all over with friends, and then leave the table not sated – but always hungry for more.

Opening Night Concert

Friday, February 20th, 2009

Robert Spano

Robert Spano

Florida State University Symphony Orchestra
Robert Spano, conductor
Pedja Muzijevic, piano

Wednesday, October 7  – 8:30 p.m.
Mertz Theater / FSU Center for the Performing Arts

Program:
F. Liszt,  Orpheus
L. Beethoven, Concerto for Piano and Orchestra no. 4, op. 58
F. Liszt,  Les Preludes

Robert Spano leads the Florida State University Symphony Orchestra and pianist Pedja Muzijevic in the inaugural concert for the Ringling International Arts Festival. Recognized as one of the most imaginative conductors of his generation, the Grammy Award-winning Spano is in his eighth season as Music Director of the Atlanta Symphony. He has conducted the greatest orchestras of the world including those in Boston, Chicago, Cleveland, Los Angeles, New York, as well as the Royal Concertgebouw (Amsterdam), Filarmonica della Scala (Milan) and BBC Symphony Orchestra. Pianist Pedja Muzijevic has performed to acclaim with the Milwaukee Symphony, Dresden Philharmonic, St. Paul Chamber Orchestra and Residentie Orkest in The Hague.

“Robert Spano has that great skill in a conductor of making every performance radiate joy. You would think, each time, that he has been waiting all his life to make this music happen, and that he is darned well going to make it happen to the utmost.” – The New York Times

“Pedja Muzijevic is a virtuoso with formidable fingers and a musician with fiercely original ideas about the music he plays.” – Financial Times, London

Compañia María Pagés

Friday, February 20th, 2009

COMPAÑIA MARÍA PAGÉS

COMPAÑIA MARÍA PAGÉS

 

Compañia María Pagés
Flamenco y Poesía

Thursday, Oct 8: 2:00 p.m.
Friday, Oct 9: 5:30 p.m.
Saturday, Oct 10: 8:00 p.m.
Sunday, Oct 11: 2:00 p.m.
Mertz Theater
Tickets: $30, $25, $20, $10

María Pagés is one of Spain’s leading flamenco virtuosos and the recipient of her country’s highest honor, the National Dance Award. In her latest work, Flamenco y Poesía, she translates the cadences of poetry into dance, revealing a shared language between the words of José Saramago and Federico Garcia de Lorca and the rhythms of the human body. Performed by her company of nine extraordinary dancers and musicians, Flamenco y Poesía continues Pagés innovative journey into the depths of flamenco and beyond. 

“An artist of passionate force” - El Periódico de Catalunya

“María Pagés’s flamenco pulls tradition forward into her own ample creative territory using large doses of sensuality…She danced wrapped and tangled with her own body, broken into angles or filling up the vertical space that goes up to the sky; pulling us along with her and scorching us.” – El Mundo

“One of the most exceptional voices of flamenco dance…” – ABC

Meow Meow

Friday, February 20th, 2009

Meow Meow

Meow Meow

 

Meow Meow
Beyond Glamour: The Absinthe Tour


Thursday, Oct 8: 5:30 p.m.
Friday, Oct 9: 10:30 p.m.
Saturday, Oct 10: 2:00 & 10:30 p.m.
Sunday, Oct 11: 5:30 p.m.
Mertz Theater
Tickets: $30, $25, $20, $10

International singing sensation and post post-modern showgirl Meow Meow descends on The Ringling International Arts Festival in a wild journey of obsessive love songs, tired old tricks, and gorgeous cabaret ditties. Touring globally with the Spiegeltent and a guest at venues from the Sydney Opera House to New York’s Lincoln Center, Meow Meow navigates the uncharted territory between Weimar era wit, 1930’s Shanghai show tunes, 60’s French pop, and post-punk hilarity, creating a parody of glitz that defies categorization. 

“Meow Meow drags cabaret kicking and screaming into the 21st century.” – Time Out New York

“Meow Meow is a sequinned sex bomb waiting to detonate…” – Sydney Central

Chamber Music

Friday, February 20th, 2009

Mason Bates

Mason Bates

Anne-Marie McDermott, piano
Jennifer Frautschi, violin
Edward Arron, cello
Eric Ruske, horn

Program A
C. Debussy,  Sonata for Violin and Piano
Mason Bates,  Horn Trio (world premiere);
F. Mendelssohn, Piano Trio in D Minor, op. 49

Thursday, Oct 8: 8:00 p.m.
Friday, Oct 9: 5:30 p.m.
Historic Asolo Theater
Tickets: $30, $25, $20, $10

Program B
Mason Bates,  Horn Trio
A. Dvořák,  Piano Trio in F Minor, op. 65

Saturday, Oct 10: 5:30 p.m.
Sunday, Oct 11: 11:00 a.m.
Historic Asolo Theater
Tickets: $30, $25, $20, $10

These hour-long programs of masterworks of chamber music include a new addition to the horn trio repertoire by the acclaimed composer Mason Bates.  These works are performed by an exceptional ensemble of internationally renowned musicians – pianist Anne-Marie McDermott, violinist Jennifer Frautschi, cellist Edward Arron, and French horn player Eric Ruske. Mason Bates music has been performed by The National Symphony Orchestra (both at the Kennedy Center and Carnegie Hall), San Francisco Symphony, and the Atlanta and Phoenix Symphonies.

“At a time when symphony orchestras nationwide are trolling for audience magnets – the type of new material that can lure members of generations X and Y along with older subscribers – Bates just might have that bait.”  – The Los Angeles Times

Mason Bates’ new work is commissioned by the Ringling International Arts Festival.

Elevator Repair Service Theater

Friday, February 20th, 2009

Elevator Repair Service

Elevator Repair Service

Elevator Repair Service Theater
World Premiere

Thursday, Oct 8: 8:00 p.m.
Friday, Oct 9: 5:30 p.m.
Saturday, Oct 10: 2:00 & 8:00 p.m.
Sunday, Oct 11: 2:00 p.m.
Cook Theatre
Tickets: $25, $20, $10

Internationally acclaimed theater company Elevator Repair Service (ERS) continues their compelling experiments in literary adaptation. Founded in 1991 by John Collins, a veteran of The Wooster Group, ERS is known for its intoxicatingly original work, tapping sources from film to novels to television, and combining slapstick comedy, hi-tech and lo-tech design, and its own style of choreography. Taking a collaborative approach to theater making, this radical ensemble delves into a new, multilayered narrative piece for its Festival premiere.

“…famously venturesome…” – The New York Times

“Elevator Repair Service works with intelligence and imagination…” – Variety

Elevator Repair Service Theater’s new work is commissioned by the Ringling International Arts Festival.

Ella Hickson

Friday, February 20th, 2009

Ella Hickson

Ella Hickson

Ella Hickson
Eight

Thursday, Oct 8: 5:30 p.m.
Friday, Oct 9: 10:30 p.m.
Saturday, Oct 10: 10:30 p.m.
Sunday, Oct 11: 2:00 p.m.
Historic Asolo Theater
Tickets: $30, 25, $20, $10

Ella Hickson’s debut play Eight swept the major awards at the 2008 Edinburgh Fringe Festival, including a Fringe First and the Carol Tambor Best of Edinburgh Award. Eight delivers a rich portrait of modern Britain through a collection of incisive monologues from characters ranging from a single working mother to a young Iraq war veteran. Exquisitely tuned to the inner voices of her characters, Hickson balances biting humor with emotional honesty as she assesses what it means to be part of the current generation.  Eight’s cast will include young actors from the UK and students from the FSU/Asolo Conservatory for Actor Training.

“One of the most self-assured, startlingly well-written and moving pieces of theatre around.” – The Herald, Scotland

“[Ella Hickson] writes with a heightened sense of the rhythms and quirks of everyday speech and uses vivid, sensory details to create believable emotional states.” The New York Times

Deganit Shemy & Company

Friday, February 20th, 2009

Deganit Shemy

Deganit Shemy

Deganit Shemy & Company
Arena

Thursday, Oct 8: 2:00 p.m.
Friday, Oct 9: 2:00 & 8:00 p.m.
Saturday, Oct 10: 5:30 p.m.
Cook Theater
Tickets: $25, $20, $10

One of the most intriguing choreographers to emerge in the last several years, Deganit Shemy has captured attention in her native Israel–where she was named “Young Choreographer of the Year” by the Israeli Ministry of Education (2004)–and also in New York, where she founded Deganit Shemy & Company in 2005. In Arena, Shemy constructs an emotionally-charged world that blurs the lines between the real and the imagined. Performed within a tight square of light and set to the insistent ticking of a metronome, five women enact an unsettling and intensely physical game governed by strict, but mysterious rules. 

“One of Israel’s most promising young choreographers…” – Dance Magazine

“A choreographer just beginning to unfurl her formidable talents.” – The New York Times

The evening length version of Arena is commissioned by The Ringling International Arts Festival.

Aszure Barton & Artists / OtherShore

Friday, February 20th, 2009

Aszure Barton Artists

Aszure Barton Artists

Aszure Barton & Artists - World Premiere
OtherShore - The Snow Falls in the Winter

Thursday, Oct 8: 8:00 p.m.
Friday, Oct 9: 2:00 & 8:00 p.m.
Saturday, Oct 10: 5:30 p.m.
Mertz Theater
Tickets: $30, $25, $20, $10

One of Canada’s most talented young choreographers, Aszure Barton is rapidly carving out a place for herself on the international dance scene. Currently the Resident Choreographer for Les Ballets Jazz de Montréal, Ms. Barton has choreographed new works for Mikhail Baryshnikov, Sydney Dance Company, The Martha Graham Dance Company, and the Broadway stage. Drawing from classical ballet and contemporary dance vocabularies, Barton plumbs the human psyche to craft a new work that explores the visual architecture of movement, color and sound.

“Aszure Barton is a skillful choreographer with a very interesting mind.” – The Village Voice

“Barton is clearly brilliant… The layers of tension are disturbing and delicious.” 
San Francisco Chronicle

Aszure Barton’s new work is commissioned by The Ringling International Arts Festival.

Founded by Sonja Kostich and Brandi Norton (former dancers with American Ballet Theatre and Trisha Brown Dance Company, respectively), OtherShore debuted in 2008 with a program of commissioned works, including The Snow Falls in the Winter. Created by Annie-B Parson and co-directed by Paul Lazar of Big Dance Theater, The Snow Falls in the Winter was named one of Dance Magazine’s “10 best choreographies in 2008.” A poignant dance-theater piece, it borrows from Eugene Ionesco’s The Lesson, exploring notions of training and teaching, examining the cusp between right and wrong, true and false, artifice and reality. 

“Riotously, beautifully more than its parts…” – The New York Times

We’ll continue to wonder where else this ambitious troupe will take us.” – Dance Magazine

“The Snow Falls in the Winter reinforces two already-evident impressions: These dancers have many talents; this enterprising young group deserves a bright future” – The Village Voice

Peter Brook / C.I.T.C.

Friday, February 20th, 2009

Bruce Myers

Bruce Myers

Peter Brook / C.I.T.C.
Love is my sin (U.S. Premiere)

Based on sonnets by W. Shakespeare
Featuring Natasha Parry and Bruce Myers

Thursday, Oct 8: 2:00 p.m.
Friday, Oct 9: 8:00 p.m.
Saturday, Oct 10: 2:00 & 8:00 p.m.
Sunday, Oct 11: 5:30 p.m.
Historic Asolo Theater
Tickets: $30, $25, $20, $10

Peter Brook—considered to be one of the most influential stage directors alive—brings Shakespeare’s sonnets to life in his newest production. Performed by long-time collaborators Bruce Myers and Natasha Parry, Love is my sin reveals Shakespeare’s sonnets as intimate diaries: a key to his passions and jealousies, and his private questions about time, aging, and death. Reveling in the intense beauty of Shakespeare’s language, Brook continues his experiment in reducing theater to its essential form.

“For Peter Brook, theater is always an idea that is enriched by research, elaborated in rehearsal and then reduced to its essence onstage.” – The New York Times

“…the direction of Peter Brook is the real revelation. It may seem simple and unadorned to the point of invisibility, but you soon realize that every moment has been calibrated to deliver the maximum dose of truth.” - The Toronto Star (on Sizwe Banzi is Dead)