Archive for April, 2009

Festival Package Sales Off and Running

Tuesday, April 14th, 2009

As the manager of ticket sales for the festival, I must say that the public response to the marketing launch of the first Ringling International Arts Festival has been overwhelmingly positive.

Within 24 hours of the brochure mailing, orders were being received at the Historic Asolo Theater box office, and – as of this writing – we are well ahead of our sales projections for Festival Packages. Enthusiastic ticket buyers are embracing the entire line-up of core stage programs – many opting to attend performances by all eight of our productions. Single ticket sales begin May 15 – and should we continue to enjoy brisk box office activity, we may very likely see some Festival performances sold out before the summer’s end.

Additionally, the phone calls and emails coming to my office – many from our community’s more discerning patrons of the performing arts – are unabashedly enthusiastic. This came in from one woman in Sarasota with a long and distinguished career in professional theater: “I am blown away by what all is being offered.”

Finally, great support is being garnered from area convention and tourist bureaus, local chambers of commerce, transportation authorities, the hospitality industry, as well as city, county, and state officials. Sarasota and Manatee Counties are getting ready to roll out red carpets all along Florida’s southwest gulf coast. And it looks like there will be quite a crowd gathering on those runways to attend what promises to be a most auspicious launch of a wonderful new celebration of the arts in Florida.

We invite you to take part!

Dwight Currie

Dwight Currie is the Associate Director for Museum Programs at the Ringling Museum.

A Nod from a Legend

Thursday, April 2nd, 2009

Last week, I was meeting in my office at BAC with a former New York City Ballet dancer who is now artistic director of the World Performance Project at Yale University. Her name is Emily Coates, and she is smart, kind, and supremely talented. We were discussing her upcoming residency at BAC with an African choreographer and dancer named Lacina Coulibaly. We covered all the usual territory: the nature of their creative time at the Center, logistics, and showings of the artists’ work in progress.

Then in walked Mikhail Baryshnikov, whom I will call Misha henceforth, since that is what we do, in fact, call him. He greeted Emily with a grin, a hug, and a little chitchat. Emily reminded Misha that she would be dancing at the Ringling International Arts Festival, as one of the members of OtherShore, the dance company that will be performing “The Snow Falls in Winter” by Annie-B Parson.

Misha’s smile grew even wider, and he said, “Oh, that’s right! I think you’re going to bring something really interesting to the work. It’s a great piece. And you’re great.” Misha went on to say how excited he was about the programming of the festival, which he played an important part in selecting. He and I digressed a bit with some other business, whereupon Emily commented, “I love it here.” Then Misha let us get back to our meeting by saying, “If you need me, I’ll be working upstairs in the studio.”

Stanford Makishi, as executive director of the Baryshnikov Arts Center, oversees the Center’s planning, programming, and operations. He oversees all programming for the Ringling International Arts Festival and consults on RIAF strategic planning. www.bacnyc.org