Archive for September, 2010

Pulitzer Prize-Winning Playwright Returns To Florida To Premiere New Play At RIAF!

Wednesday, September 29th, 2010
Nilo Cruz

Nilo Cruz

To call Nilo Cruz a Florida native may be going a bit too far, but it would be fair to say that he is a Floridian. Cruz, an author of several plays, a Pulitzer Prize Winner and a recipient of a Tony Award nomination, will be returning to Florida for his new play, Hurricane. The play contains many of the same themes that are present in his other plays that speak of the Cuban-American experience of journey and displacement.

Cruz came to America from Cuba as a young boy of ten. His family settled in “Little Havana” in Miami and Cruz studied theater at Miami-Dade Community College. He later moved to New York and then received his M.F.A. in 1994 from Brown University. In 2001, he served at the playwright-in-residence for the New Theatre in Coral Gables, FL, where he wrote Anna in the Tropics, winner of the 2003 Putitzer Prize in Drama and the Steinberg Award for Best New Play as well as recipient of the 2004 Tony Award nomination. His decision to premiere Hurricane at the Ringling International Arts Festival is a testament to how influential the Festival has become.

The play tells the story of how a severe tropical storm displaces a family and their struggle to reconstruct their lives. The play is rooted in many of the same challenges that have faced characters from previous plays, namely struggle, failure and triumph against extreme adversity. Christine Dolen of the Miami Herald says that Anna in the Tropics is a “passionate, explosive tender play, one filled with Cruz’s evocative imagery, language that almost seems tactile.” We look forward to Hurricane being more of the same!

You can purchase tickets for Hurricane by calling the box office at (800)660-4278 or visiting our website. Hurricane is also part of the Night Of Premieres celebration on October 13 which includes a pre-performance toast and post-performance gala. Tickets for the Night of Premieres can also be purchased by the box office at (800)660-4278 or visiting our website.

Grabbing The Moon With Both Hands

Wednesday, September 22nd, 2010

Andrew DawsonImagine that you had the challenge of captivating an audience of astronauts by telling them the story of Apollo 11… with only your hands. You could not speak. There was no backdrop, no theater lights. There was only music, narration, a table and you. Could you do it? Andrew Dawson has done it, and the astronauts gave him a standing ovation.

It may be one of the more challenging pieces of the Ringling International Arts Festival, but Space Panorama could possibly be one of the sleeper hits. In a world with complex special effects (think “Apollo 13″) and Broadway expectations (think “Phantom of the Opera”), how is it that a man with his hands has been so successful at telling the story of Apollo 11 that he was chosen to be part of the Festival to begin with? It is because he understands that through simple and imaginative story telling, an actor can take an audience to the moon.

“Space Panorama shows what Americans can do. It shows what theater can do without a lot of technological wizardry.” – Los Angeles Times

Dawson has extensive performance experience in the world of “physical theatre”. He has studied dance, theatre and mime in London and New York and has performed extensively on film and onstage. He has also helped choreograph and direct other pieces, so he is certainly up to the challenge. In 1989, he proposed the creation of a performance piece with just a table and himself to the Northern Festival of Mime and Dance in the UK. With the constraints of such a small space, he chose to tell the story of Apollo 11, one of the greatest and grandest events in human history. The piece has been so successful that he was asked to perform in front of 200 veteran astronauts in Houston, TX. He admits to being a little nervous, but Buzz Aldrin, John Young and all of the other astronauts loved it!

Tickets are still available by calling the box office at (941) 360-7399 or visiting the Festival site.

A Great Review For Opening Night by Les SlovaKs Dance Collective

Wednesday, September 15th, 2010
 Les SlovaKs Dance Collective in 'Opening night'.

Les SlovaKs Dance Collective in 'Opening night'.

Sometimes it is easier to hear what others have said about their experiences when trying to describe something that is hard to describe. Les SlovaKs Dance Collective is a complex and exciting dance company that is rich in layers and creativity, but hard to put into words. Here is what a reviewer said from CultureVulture.net, a wide-ranging selection of arts reviews in a blog format founded in 1998.

Click here for the review.

YouTube Promo for Opening Night by Les SlovaKs Dance Collective

Monday, September 13th, 2010

Opening Night by Les SlovaKs Dance Collective

Friday, September 3rd, 2010
Les Slovaks Dance Collective

Les SlovaKs Dance Collective

So what would it be like if you could play games and run around acting foolishly like you did when your were five? Would you even know how to behave? Would the social norms of adulthood ultimately restrict you from really having a good time? Les SlovaKs Dance Collective in many ways has managed to take dancing virtuosity and mix it with boyish spunk and child-like imagination. This is not to say that their dance style is not full of serious themes and undertones. They are keenly aware of the social, political and gender implications of their art form, but they still communicate in a way that is reminiscent of childhood.

The five dancers come from Slovakia. Four of the five, Milan Herich, Peter Jasko, Anton Lachky and Milan Tomasik, started dancing at folk festivals when they were five and spent most of their lives together. Each watched as communism fell and gave way to the modern democratic country of today. They met the fifth dancer, Martin Kilvady who is also from Slovakia, in Belgium where they currently reside. Rooted in their folk dancing experience, their style is playful, energetic and sometimes comical. They call it “new traditional dance”. They have no choreographer. Their creative process is extremely collaborative with the result being highly diverse and at times what seems improvisational. The concern might be that their dance is considered too childish, but in a recent review, the company was referred to as “five supreme geniuses in movement”.

Opening Night features Simon Thierree on violin onstage playing music that is very influenced by Eastern European tradition. It is not traditional folk music, however. Along with the dancers, they attempt to create a new folk style that is rich in physicality, artistic themes and high energy. It will surely be one of the most memorable performances of the Ringling International Arts Festival.

Tickets are still available by calling the box office at (941) 360-7399 or visiting the Festival site.