Archive for the ‘The Performances’ Category

Twisting Tradition: Colin Dunne Out of Time

Tuesday, July 26th, 2011

Preview Colin Dunne’s Out of Time performance on the Ringling International Art Festival’s YouTube channel

In an intimate and playful presentation, Colin Dunne’s Out of Time brings movement, sound and image together to create a provocative dialogue between past and present that shatters his preceding reputation for being a traditional Irish-step dancer.

Shocking to many dance aficionados, the Irish dance icon and former Riverdance star gravitated away from traditional Irish stepping in favor of forward-stepping contemporary dance. After earning his M.A. in Contemporary Dance Performance from the University of Limerick in 2002, Dunne began exploring the fluidity of modern dance.

 “I had the chance to step out of the traditional Irish dance box and immerse myself in a new practice,” Dunne said during a 2009 interview with Dance Magazine. “Now the two for me are one.”

An Irish step dancer turned contemporary performer? “It’s about making it work,” said Dunne.

And it does.

Dunne began paving a new path for himself as a solo artist with short performances presented at The Vail International Dance Festival in Colorado, the Jubilee Auditorium in Edmonton, Canada, and The Queen Elisabeth Hall in London, in addition to partnering with several choreographers across the world.

His first major modern performance at The Barbican in Fabulous Beast Dance Theatre’s production of The Bull earned him a nomination for a UK Circle National Dance Award for Best Male: Modern Dance. To date he holds techniques nine World, eleven Great Britain, nine All-Ireland and eight All-England titles under his belt.

In keeping with his exploration of the space between traditional and modern, Dunne’s first full-length solo show Out of Time investigates multimedia with the use of sound technology, film, text, and of course, various facets of dance including tap rhythms that only Dunne is capable of.   

Dunne is poised to share Out of Time with audiences at the Ringling International Arts Festival this October at The Mertz Theatre. Patrons can be part of the provocative dialogue between past and present, witness the mature movements of a performer who has dedicated his life to exploring the relationship of sound and movement and  experience the performance that earned a nomination for an Olivier Award for Outstanding Achievement in Dance.

Colin Dunne will perform Out of Time at The Metz Theatre Oct. 13 at 8pm, Oct. 14 at 2pm, Oct. 15 at 5pm and Oct. 16 at 5 pm. Learn more and purchase tickets

Opening Night With Brass And Drums!

Friday, May 13th, 2011
Asphalt Orchestra

Asphalt Orchestra

Festival openings from the past two RIAF seasons have been very festive and memorable. Attendees would see a dramatic performance either after or before a dazzling soiree on the Museum Courtyard. This season, that will change. The event and the performance will be one. New York City’s Asphalt Orchestra will be performing their radical approach to the marching band tradition, moving among the revelers as they enjoy cocktails and delicious delicacies. The Orchestra’s approach takes street music to a whole new level. Using brass and percussion, they perform a vast collection of musical styles such as jazz, rock and classical. Their performance style allows this roving band of players the opportunity to take the music to the people in a way that is exciting, disruptive and infectious.

The 12 performers are all highly regarded in their own right. The New York Times refers to the group as “12 top-notch brass and percussion players.” If you think it will be your standard soiree band-for-hire, you will be mistaken. The Opening Night festivities usually sell out, so don’t delay. Get your tickets now.

Review of Andrew Dawson’s “Space Panorama”

Saturday, October 16th, 2010

If you haven’t gotten to see “Space Panorama,” see Jay Handelman’s review. You can bring your kids, too!

Forman Brothers: Who Ever Knew That Marionettes Could Be This Much Fun!

Friday, October 15th, 2010

What can you say about the incredible Forman Brothers Theatre performance of “Opera Baroque” that hasn’t been said in twenty other languages. This world renowned group of performers bring their special brand of storytelling to the Festival and to the hearts of their unsuspecting patron. It is a playful farce mixing traditional marionettes with live actors, adapted from the 18th-century “Czech Opera About a Comically Small Crooked-Looking Chimney Built by Masons, or the Quarrel Between the Landlords and Its Masons.”

It is presented on a miniature replica of a traditional opera stage with more action than you can imagine in such a small space. The brothers mix their unbelievable marionette skills with their own impersonations of the action that is occurring on stage. The puppets come to life right in front of your eyes and you are treated to a never before seen experience as you lose yourself in the story and laugh at all of the hilarious interactions between the Forman Brothers and the marionettes.

Tim Fain Dazzles With Solo Violin

Friday, October 15th, 2010
Tim Fain

Tim Fain

I was not sure what to expect when I watched Tim Fain perform his “Glass And Bach For Solo Violin.” I knew that Fain had a great reputation for technical finesse and energetic performance, but I was used to last season’s opening with a full orchestra. I was a little surprised when Fain stepped onto the stage by himself. Solo meant solo.

He started the performance with a conversational introduction that summarized the development of Phillip Glass’ new piece that inspired by the poetry and music of Leonard Cohen. The piece, not yet complete, will have its full premiere later on. The audience, however, was definitely served a tasty appetizer. Fain not only technically impressed us with his skill, he could make his instrument fill the space as if he had other musicians accompanying him. His intensity and passion while he was playing was a stark contrast to the relaxed and casual manner in which he displayed while introducing the piece.

Fain then went on to perform the Bach piece, Partita in D Minor, with an equal amounts of power and talent. The evening was a perfect introduction to what promises to be a fantastic festival!

Video Interview of Victor Quijada of Rubberbandance Group

Friday, October 15th, 2010

Review of Les SlovaKs’ “Opening Night”

Friday, October 15th, 2010

Jay Handelman’s review of “Opening Night” by Les SlovaKs says that the show was “chaotic, often humorous and never dull.”

Bringing In The Hurricane

Thursday, October 14th, 2010
Nilo Cruz, Author of "Hurricane"

Nilo Cruz, Author of "Hurricane"

The Night of Premieres really brought in a storm during the World Premiere show of Nilo Cruz’s “Hurricane”. The tale of a three-member family living on a Caribbean island starts with the coming of a hurricane and the family’s son, Aparicio, wishing to embrace the power of the oncoming storm. The story takes you through an amazing turn of events when you learn that the father, Forrest, was struck in the head during the storm and is experiencing amnesia. As the mother, Ria, and her son Aparicio work to help someone so dear to them remember his life before, the story continues to take the audience deeper to learn that Forrest believes himself to be two people trapped inside a single body. As Ria reminds her husband of how they met and fell in love, painful details of Ria’s past are revealed, where she credits her husband for saving her life.

As the show comes to a conclusion you see a renewed love between Ria and Forrest as Forrest returns to his previous self, and an Aparicio who becomes the warrior of the sea he had wished for.

A show filled with the poetic prose truly representative of the Pulitzer-prize winning Nilo Cruz, balanced with simple but stunning set design gives you a feeling of being both underwater and frozen in time. A show that takes you through an emotional hurricane reminding you of love, life, and passion regretting that it had to come to an end.

Review of “Hurricane”

Thursday, October 14th, 2010

Jay Handelman’s review of “Hurricane”talks of how Nilo Cruz, “makes ordinary conversation sound beautiful.”

Kilvady from Les SlovaKs Talks of Life Long Learning (Video)

Wednesday, October 13th, 2010