Posts Tagged ‘Sarasota’

Elevator Repair Service Theater

Friday, February 20th, 2009

Elevator Repair Service

Elevator Repair Service

Elevator Repair Service Theater
World Premiere

Thursday, Oct 8: 8:00 p.m.
Friday, Oct 9: 5:30 p.m.
Saturday, Oct 10: 2:00 & 8:00 p.m.
Sunday, Oct 11: 2:00 p.m.
Cook Theatre
Tickets: $25, $20, $10

Internationally acclaimed theater company Elevator Repair Service (ERS) continues their compelling experiments in literary adaptation. Founded in 1991 by John Collins, a veteran of The Wooster Group, ERS is known for its intoxicatingly original work, tapping sources from film to novels to television, and combining slapstick comedy, hi-tech and lo-tech design, and its own style of choreography. Taking a collaborative approach to theater making, this radical ensemble delves into a new, multilayered narrative piece for its Festival premiere.

“…famously venturesome…” – The New York Times

“Elevator Repair Service works with intelligence and imagination…” – Variety

Elevator Repair Service Theater’s new work is commissioned by the Ringling International Arts Festival.

Ella Hickson

Friday, February 20th, 2009

Ella Hickson

Ella Hickson

Ella Hickson
Eight

Thursday, Oct 8: 5:30 p.m.
Friday, Oct 9: 10:30 p.m.
Saturday, Oct 10: 10:30 p.m.
Sunday, Oct 11: 2:00 p.m.
Historic Asolo Theater
Tickets: $30, 25, $20, $10

Ella Hickson’s debut play Eight swept the major awards at the 2008 Edinburgh Fringe Festival, including a Fringe First and the Carol Tambor Best of Edinburgh Award. Eight delivers a rich portrait of modern Britain through a collection of incisive monologues from characters ranging from a single working mother to a young Iraq war veteran. Exquisitely tuned to the inner voices of her characters, Hickson balances biting humor with emotional honesty as she assesses what it means to be part of the current generation.  Eight’s cast will include young actors from the UK and students from the FSU/Asolo Conservatory for Actor Training.

“One of the most self-assured, startlingly well-written and moving pieces of theatre around.” – The Herald, Scotland

“[Ella Hickson] writes with a heightened sense of the rhythms and quirks of everyday speech and uses vivid, sensory details to create believable emotional states.” The New York Times

Deganit Shemy & Company

Friday, February 20th, 2009

Deganit Shemy

Deganit Shemy

Deganit Shemy & Company
Arena

Thursday, Oct 8: 2:00 p.m.
Friday, Oct 9: 2:00 & 8:00 p.m.
Saturday, Oct 10: 5:30 p.m.
Cook Theater
Tickets: $25, $20, $10

One of the most intriguing choreographers to emerge in the last several years, Deganit Shemy has captured attention in her native Israel–where she was named “Young Choreographer of the Year” by the Israeli Ministry of Education (2004)–and also in New York, where she founded Deganit Shemy & Company in 2005. In Arena, Shemy constructs an emotionally-charged world that blurs the lines between the real and the imagined. Performed within a tight square of light and set to the insistent ticking of a metronome, five women enact an unsettling and intensely physical game governed by strict, but mysterious rules. 

“One of Israel’s most promising young choreographers…” – Dance Magazine

“A choreographer just beginning to unfurl her formidable talents.” – The New York Times

The evening length version of Arena is commissioned by The Ringling International Arts Festival.

Aszure Barton & Artists / OtherShore

Friday, February 20th, 2009

Aszure Barton Artists

Aszure Barton Artists

Aszure Barton & Artists - World Premiere
OtherShore - The Snow Falls in the Winter

Thursday, Oct 8: 8:00 p.m.
Friday, Oct 9: 2:00 & 8:00 p.m.
Saturday, Oct 10: 5:30 p.m.
Mertz Theater
Tickets: $30, $25, $20, $10

One of Canada’s most talented young choreographers, Aszure Barton is rapidly carving out a place for herself on the international dance scene. Currently the Resident Choreographer for Les Ballets Jazz de Montréal, Ms. Barton has choreographed new works for Mikhail Baryshnikov, Sydney Dance Company, The Martha Graham Dance Company, and the Broadway stage. Drawing from classical ballet and contemporary dance vocabularies, Barton plumbs the human psyche to craft a new work that explores the visual architecture of movement, color and sound.

“Aszure Barton is a skillful choreographer with a very interesting mind.” – The Village Voice

“Barton is clearly brilliant… The layers of tension are disturbing and delicious.” 
San Francisco Chronicle

Aszure Barton’s new work is commissioned by The Ringling International Arts Festival.

Founded by Sonja Kostich and Brandi Norton (former dancers with American Ballet Theatre and Trisha Brown Dance Company, respectively), OtherShore debuted in 2008 with a program of commissioned works, including The Snow Falls in the Winter. Created by Annie-B Parson and co-directed by Paul Lazar of Big Dance Theater, The Snow Falls in the Winter was named one of Dance Magazine’s “10 best choreographies in 2008.” A poignant dance-theater piece, it borrows from Eugene Ionesco’s The Lesson, exploring notions of training and teaching, examining the cusp between right and wrong, true and false, artifice and reality. 

“Riotously, beautifully more than its parts…” – The New York Times

We’ll continue to wonder where else this ambitious troupe will take us.” – Dance Magazine

“The Snow Falls in the Winter reinforces two already-evident impressions: These dancers have many talents; this enterprising young group deserves a bright future” – The Village Voice

Peter Brook / C.I.T.C.

Friday, February 20th, 2009

Bruce Myers

Bruce Myers

Peter Brook / C.I.T.C.
Love is my sin (U.S. Premiere)

Based on sonnets by W. Shakespeare
Featuring Natasha Parry and Bruce Myers

Thursday, Oct 8: 2:00 p.m.
Friday, Oct 9: 8:00 p.m.
Saturday, Oct 10: 2:00 & 8:00 p.m.
Sunday, Oct 11: 5:30 p.m.
Historic Asolo Theater
Tickets: $30, $25, $20, $10

Peter Brook—considered to be one of the most influential stage directors alive—brings Shakespeare’s sonnets to life in his newest production. Performed by long-time collaborators Bruce Myers and Natasha Parry, Love is my sin reveals Shakespeare’s sonnets as intimate diaries: a key to his passions and jealousies, and his private questions about time, aging, and death. Reveling in the intense beauty of Shakespeare’s language, Brook continues his experiment in reducing theater to its essential form.

“For Peter Brook, theater is always an idea that is enriched by research, elaborated in rehearsal and then reduced to its essence onstage.” – The New York Times

“…the direction of Peter Brook is the real revelation. It may seem simple and unadorned to the point of invisibility, but you soon realize that every moment has been calibrated to deliver the maximum dose of truth.” - The Toronto Star (on Sizwe Banzi is Dead)